Newly Discovered Work By Henry Moore Sells At Auction For 13 Times Its Estimate

Dreweatts is thrilled to report that the recently discovered work by one of the most important British artists of the 20th century, the esteemed British sculptor Henry Moore (1898-1986), sold at auction today to a private collector in the UK for £400,000 – 13 times its’ pre-sale low estimate of £30,000.

Commenting on the result, Francesca Witham, Picture Specialist at Dreweatts, said: “We are thrilled with the amazing result achieved for the mother and child sculpture by Henry Moore. It shows that rare and unique pieces will always inspire competitive bidding and that the appetite for such works remains strong.  The sculpture was enthusiastically contested with bidding both online and on the phones and having been left undiscovered for over 40 years, this very special lead sculpture now heads to a new home with a UK private collector.” 

The authentication of the work took two years of Francesca working very closely with the Henry Moore Foundation, as well as the family of the owner, former Publisher and Editor of The Architectural Review magazine, Hubert de Cronin Hastings (1902-1986). At the time of the discovery and verification she said: “It has been such a fascinating journey working with this rare Henry Moore sculpture. I was elated, after many months of delays due to covid restrictions, to finally receive the letter from the foundation authenticating this piece as a genuine Moore. Dreweatts are honoured to bring this sculpture to the market for the very first time, presenting an opportunity to purchase a unique and rare sculpture by one of the most important British artists of the 20th century.”

The foundation was able to link the work to a sketch of the sculpture by Moore already held in its’ records, titled Eighteen Ideas for Sculpture, which he produced in 1939 (pictured below).

The sketch titled Eighteen Ideas for Sculpture is linked to this work, held in the archives at the Henry Moore Foundation

The sculptural group which is formed in lead, and dates from 1939-1940, is believed to have been gifted to Hubert de Cronin Hastings directly by Henry Moore, as they met through The Architectural Review magazine, via Moore’s friend Jim Richards, Assistant Editor of the magazine at the time, who had befriended Moore after writing an article on his work for the magazine in 1934. The sculpture was passed down by Hubert to his son, John Hastings in the 1970s, remaining on his mantlepiece amongst an eclectic mixture of objects until he passed away in 2019.

The work is also considered an extremely rare piece as it is cast in lead, which was a material the sculptor only used for a short period in the 1930s, during a time in his career when he was experimenting with other materials such as string and wire for his series of stringed sculptures. Mother and Child is believed to be a preliminary design for one of these stringed sculptures, which explains the unusual markings on the front of the sculpture, which add to its’ joyful and playful nature.

Madonna and Child is believed to have been gifted directly from Moore to former publisher and Editor of The Architectural Review magazine, Hubert de Cronin Hastings (1902-1986), pictured above

A bio on Henry Moore can be found on the Henry Moore Foundation’s website: www.henry-moore.org/about-henry-moore

For more information on Dreweatts, please go to: www.dreweatts.com/